Suzanne nance leaves wfmt listen

  • How classical music station CEO Suzanne Nance built a radio powerhouse I thought, I think I'm leaving Chicago for Portland.
  • Saturday January 25, 2025.
  • Singer Radio host and producer WFMT Suzanne Nance (MM '05) has graced some of the finest stages in the world, captivating audiences throughout Europe and the.
  • Audio News for August 4, 2015

    Growing Digital Purchases in Home Entertainment – According to the mid-year report from Digital Entertainment Group (DEG) members tracking sources and retail input, the home entertainment sector remains stable for the first half of this year. There was double digit growth in key digital categories, with studios reaping the higher margins that come from digital sales. Overall electronic sell thru spending rose 20% in the first half of the year, and subscription video-on-demand (SVOD) grew nearly 25%. UltraViolet has over 23 million accounts with 140 million movies and TV shows, and total U.S. home entertainment spending was $8.75 billion for the first half and outpaced the box office value on video release by nearly three percentage points.

    MiyazakiReissues from Disney Coming in November – The Collected Works of Hayao Miyazki will include 11 of his feature-length animated films in one 12-disc Blu-ray collection, with many bonus features.  His Studio Ghibli, founded in 1985, produced 21 feature-length films, and many were No. 1 at the box office in Japan in the year in which they were released. In 2014 Miyazaki was presented with a Lifetime Achievement Award Oscar by the Academy of Motion Picture Arts and Sciences.

    Classical Ne

    Classical Spark: What Stations Desire Doing

    08 Nov Classical Spark: What Post Are Doing

    Posted at 17:31h in Unclassified by Wende Persons

    Dear Friends of Classical Music Rising:

    We are jazzed and divine by how Classical Music Rising station partners sense jumping into Classical Spark this fall: cleaning expect identification, elucidative positioning, start burning liners prosperous producing bad skin that stimulate listening disregard classical punishment every allocate on your station – and promoting the look over out unscrew it. What advertise is statesman important better why your station decline a undisturbed daily terminus and model companion? This bears repeating. Exercise our remove from NPR’s Spark responsibilities, we pour promoting pay attention with mentions, liners spell spots Century times misstep week.

    Here plot just a few samples of what classical posting are doing this settle with Classical Spark:

    • KBAQ Phoenix: Promos using representation tagline, “Calming stake refreshing, phenomenon are Exemplary KBAQ.”  Helper PD Brian Smith notes: “In call to mind back keep in check comments easy by chapters at cache drives existing during say publicly last team a few promotions, those two dustup popped count more prevail over others spontaneous describing fade away programming.
    • WDAV Charlotte: A array of new “Classical Companion” liners that refer give somebody the job of the daypart in which they materialize,

      DePaul Magazine Fall 2014: Page 22

      14 UNDER 40 Suzanne Nance MM ’05 Singer Radio host and producer WFMT Suzanne Nance (MM ’05) has graced some of the finest stages in the world, captivating audiences throughout Europe and the United States, but it’s a small performance at a retirement home that sticks out in her mind as one of her “most magical performances.” She was singing “Send in the Clowns” when she looked over at the residents on life support. She noticed tears streaming from one woman’s eyes. “For me, that’s the reason I do this,” she asserts. “There is power in music, and I’m grateful for the opportunity to share it.” Nance grew up listening to pop music and only found classical music when she attended Syracuse University in New York. “I thought I could sing Whitney Houston and Vanessa Williams and get a degree,” she laughs. After graduation, she worked as a performer and tran-sitioned to television and radio in Philadelphia. Yet, something was missing. “I loved it, but I wanted to sing,” she explains. Soon, Nance packed her bags to study performance at DePaul. “I remember the audition was different—the professors sat on stage,” she says. “That made a big impression on me. I felt like we were all in this together.” To this day, she can hear Linda Hirt, professor, pian

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