Libros de jorge icaza huasipungo

  • Huasipungo is a 1934 novel by Jorge Icaza of Ecuador.
  • This Huaisipungo edition is based on the author's definitive revision that was published in 1960.
  • Jorge Icaza describe aquil la tragedia del indio ecuatoriano.
  • Huasipungo

    Huasipungo (hispanicized spelling from Kichwawasipunku or wasi punku, wasi house, punku door,[1] "house door") is a 1934 novel by Jorge Icaza (1906-1978) of Ecuador.

    Huasipungo became a well-known "Indigenist" novel, a movement in Latin American literature that preceded Magical Realism and emphasized brutal realism.

    Huasipungo is often compared to John Steinbeck's Grapes of Wrath from 1939, as both are works of social protest. Besides the first edition of 1934, Huasipungo went through two more editions or complete rewritings in Spanish, 1934, 1953, 1960, the first of which was difficult for even natives of other Hispanic countries to read and the last the definitive version.

    Besides being an "indigenist" novel, Huasipungo has also been considered a proletarian novel, in that Latin America had to substitute the Indians for the working class as a model or character of proletarian literature.

    Huasipungo has been translated into over 40 languages, including English, Italian, French, German, Dutch, Portuguese, Czech, Polish, and Russian.

    English translation

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    Fragments of the book first appeared in English translation in Russia, where it was welcomed enthusiastically by Russia's peasant socialist class.[citation

  • libros de jorge icaza huasipungo
  • Huasipungo

    This Huaisipungo edition is based on the author's definitive revision that was published in 1960. Among Ecuadorian writers, Icaza is perhaps the most renowned internationally due in great part to the publication of this novel in 1934. In it he proclaimed to the world the injustices to which the powerful landowners in an unholy alliance with the clergy held subjected the large indigenous population of Ecuador. The oligarchy of his country had throughout its history degraded them, violated any human right they were entitle to, took away anything of value that they possessed; in essence they considered the Indian population as entities that could be used and be disposed of at will. The novel's two revisions enabled Icaza to develop the main character, Andrés Chiliquinga, as a profoundly human and rational being. Through the suffering he is forced to endure, he, as a heroic figure, realizes that the patch of land that he has always labored is land that belongs to them, to all who had labored it and improved it. Atavistic wisdom had taught him that one must oppose and combat despotism. The time had come to encourage and exhort his people to confront and declare their unwillingness to continue to be submitted to such iniquity. In the same manner in which the actions

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