Saveta jovanovic biography of martin

  • Saveta Jovanovic ; 1.
  • SAVETA.
  • Birth date: 1884 · Birth place: FORKUŠEVCI, VIŠKOVCI · Source: List of Individual Victims of Jasenovac Concentration Camp.

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    • 24601. TUBIĆ, ANKA

    • 24602. ZUBER, MILOŠ

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    • 24604. PEHAL, JOSIP

    • 24605. MARIĆ, TOMO

    • 24606. POPOVIĆ, SAVETA

    • 24607. UZELAC, JULA

    • 24608. GRUJIĆ, ANTE

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    • 24610. KRŠĆANSKI, MARICA

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    • 24612. RADOJČIĆ, MILEVA

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    • 24618. ŠAJN, ADELA

    • 24619. JOVANOVIĆ, MARIJA

    • 24620. JOVANOVIĆ, BELA

    • 24621. NIKOLIĆ, PERO

    • 24622. MIŠKOVIĆ, KATA

    • 24623. TODOROVIĆ, MILKA

    • 24624. VIDIĆ, LJUBICA

    • 24625. UGARKOVIĆ, FRANJO

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    • 419801. Jonas, Rywka

    • 419802. Kac, Jakób Josek

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    • 419805. Weisblat, Jerzy Maurycy

    • 419806. Wassong, Tadeusz

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    • 419831. Baetu, Haim

    • 419832. Geisinger, Mar

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      History

      Authors: Slobodan Mašić and Saveta Mašić

      With outstanding promoters of culture at its head, its founders and artistic directors (and selectors) Mira Trailović (Kraljevo, 22-1-1924 - Belgrade 07-08-1989), Jovan Ćirilov (Kikinda, 30- 8 1931 - Belgrade, 16-11-2014), since 2006 as another festival selector - Anja Suša (theatre director) and of 2015 as the new artistic director - Ivan Medenica (professor and theater critic) the festival has ever since its foundation supported and played a significant role in the promotion of novel and new artistic and cultural tendencies and ultimate theatre values.

      It acquaints the spectator, indirect analyst and beneficiary with the world’s latest theatre achievements expressed through experimental and traditional form. For almost half a century it has been building our intellectual ties with the world and the world’s ties with us.  Ever-advocating new and open cultural spaces, it has established remarkable contacts, undone fixed artistic hierarchies, encouraged the development of performing arts in Serbia and contributed to its affirmation in a broader context. It has also helped to form domestic theatre critique in the struggle against the parochial spirit and spiritual emptiness. BITEF is an epochal anti-traditio