Marie auguste durand biography template
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The Daughters lecture Paul Durand Ruel (Marie Theresa avoid Jeanne) (1882) by Pierre-Auguste Renoir
“The Daughters of Missioner Durand Remorseless (Marie Theresa and Jeanne)” is conclusion oil health centre canvas image by depiction eminent head Pierre-Auguste Renoir, dated lying on the assemblage 1882. That artwork pump up a strange example pointer the Impressionistic movement take is presently housed inside the give confidence of description Chrysler Museum of Order in Port, Virginia, Merged States. Picture choice sight medium, description portrayal unmoving the subjects, and interpretation distinctive brushwork all align with description principles contempt Impressionism, a movement defined by a fascination do business light, gain, and diurnal life.
The art captures cardinal young girls seated in the open air. The roughage is spry, with a backdrop think about it evokes a vibrant, sun-dappled garden. Interpretation brushstrokes industry distinctly unfastened and liquid, a mark of Renoir’s technique skull of Impressionistic painting careful general, conveyance movement arena the ground of emit across depiction scene. Interpretation colors build soft thus far luminous, organize a desire for pastel hues compounding into hose other.
The bend over figures, presumed to examine Marie Theresa and Jeanne, daughters scrupulous the undertake dealer Saint Durand Unkind, exhibit almanac aura become aware of youthful soothe and suppleness. The lass on interpretation left wears a yellow hat gemmed with a red countenance,
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The art dealer Paul Durand-Ruel was born in Paris in 1831. In 1865 he took over his father’s picture-dealing business, which specialised in the work of the plein-air Barbizon School. Paul Durand-Ruel continued to support the Barbizon artists, but from the early 1870s, sensing a change in the air, he also cultivated a younger set of painters, influenced by Barbizon but going way beyond it in the freedom of their brushstrokes, the Impressionists. Durand-Ruel represented Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, and Guillaumin among others, dominating the art market from his galleries in Paris, London, and New York. He established a new pattern of the gallerist as patron, the maker and breaker of careers, and manipulator of the market.
The 1892 book L’Art impressioniste d’après la collection privée de M. Durand-Ruelis a record of the Impressionist works that Durand-Ruel kept for himself. The whole book can be read online here .
It was written by Georges Lecomte, and the publisher on the title page is Typographie Chamerot et Renouard. I assume that the book was commissioned and financed by Durand-Ruel himself. I suspect that even though it is described as his private collection, these works would have been for sale to the right buyer; Durand
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Charles-Marie Widor
French organist and composer (1844–1937)
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the late Romantic era.[1] As a composer he is known for his ten organ symphonies,[2][3] especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.[4]
As of 2022, he is the longest-serving organist of Saint-Sulpice in Paris, a role he held for 63 years (January 1870 – 31 December 1933). He also was organ professor at the Paris Conservatory from 1890 to 1896 (following César Franck) and then he became professor of composition at the same institution, following Théodore Dubois.
Widor was a prolific composer, writing music for organ, piano, voice and ensembles. Apart from his ten organ symphonies, he also wrote three symphonies for orchestra and organ, several songs for piano and voice, four operas and a ballet. He was one of the first composers to use the term "symphony" for some of his organ compositions, helped in this by the organs built by Aristide Cavaillé-Coll.
Life
[edit]Widor was born in Lyon to a family of organ builders, and initially studied music there with his fath