Joachim trier interview with the vampire
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Bones & Employment (2022) shadowy. Luca Guadagnino
Don’t you attachment when a film refuses to end your brain?
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Audi Dublin International Film Festival’s “Behind The Scenes” strand will consist of Industry Panels, Seminars and Master Classes. This strand enjoys a broad focus, whether you are a filmmaker, film student or film enthusiast, touching on subjects from film programming, screenwriting and cinematography to history on film, emerging technologies, classification and music composition. Notable guests are Oscar-nominated screenwriter and celebrated playwright David Hare, Oscar-winning composer Jan A.P. Kaczmarek and double Oscar-winning cinematographer Chris Menges.
History on Film is a key theme throughout the programme and will be the subject of a panel discussion hosted by Pearse St. Library. Seen, but Unnoticed is a reunion event for those who took part in the production of Michael Collins, reuniting 20 years on to share memories and anecdotes from their time on set. 1916 At The Pictures will see City Hall turned into a cinema for a triple bill of Charlie Chaplin films that were screening in one of the many cinemas on O’Connell St at the outbreak of the Rising.
This year ADIFF is presenting not one, but two exhibitions of photography.Patrick Redmond, 25 Years will celebrate the work of the Festival Photographer and his extensive catalogue of wonderful guest
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Joachim Trier’s Cinema of Intimacy
Joachim Trier and Renate Reinsve.
Joachim Trier is not particularly concerned with plot. Instead, the Norwegian-born filmmaker sees himself as more of an anthropologist, motivated by exploring human behavior and identity, and capturing authentic interactions between real people. For Trier, this fascination began in adolescence, when he filmed his friends’ attempts at death-defying and technically-complex skate tricks. That “openness,” as he describes it, still fuels the 47-year-old filmmaker, and it’s especially palpable in his latest film, The Worst Person in the World. The movie, organized as twelve chapters in the life of Julie (Renate Reinsve, who won the Best Actress award at Cannes for her performance), a woman navigating grief, insecurity, and perils of love lost and found as she passes from her 20s into her 30s. Trier sat down with us to discuss his new film, the challenges of creating textured characters, and the reason why he never watches his own movies.
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JACKSON WALD: Following the release of Thelma, when did the idea to make a romantic comedy, and this movie in particular, begin to develop?
JOACHIM TRIER: A few years ago, several things happened at once. One was that I wanted to make a film which h