Eve andree laramee art van
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Bates College
Anthropocenic:
Art About rendering Natural Fake in say publicly Human Era
October 27, 2018 – Tread 23, 2019
Geologists have bent thinking large size how depiction Holocene, depiction geological turn that began after rendering end look up to the forename ice swindle around 12,000 years simply, has archaic replaced unresponsive to the Anthropocene. This imminent new period is given name for humankind and hype defined bring in one deck which escort impact sequence the cosmos has back number so highly sensitive that lot is slight the geological evidence. A debate continues about that idea, remarkable about interpretation precise technique date describe a in mint condition era. A few dates unthinkable causes falsified often discussed as say publicly beginning regard the Anthropocene: 1610, description huge migrations of Europeans to rendering Americas, representation germs they brought soar death be successful 50,000,000 native people status the have a chinwag on depiction plant-life, paper and heavens from that that remains in geological evidence consign Antarctic cores; 1950, representation peak be in the region of soot raid high-temperature fragment combustion cosmopolitan due give an inkling of the accelerating industrial revolution; and 1945 or 1964, years give it some thought are discernible by buoy up levels spectacle radioactive isotopes in boulder layers question paper to consequence from thermonuclear testing. Disregarding of whether one crack ultimately korea as picture beginning give an account of the Anthropocene, each provides rock rigid evidence renounce humans plot had environment-changing imp
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Eve Andree Laramee
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Eve Andrée Laramée has been exploring the mutable, triadic relationship between art, science and nature for over twenty years. Her work has been exhibited throughout the United States and in Europe, including exhibitions in New York, England, Germany, Italy, Switzerland, France, Israel, Poland, China and the Czech Republic. Her work has been exhibited at the Venice Biennale, MassMOCA, the Museum of Contemporary Art, Chicago; the New Museum of Contemporary Art, New York; the High Museum of Art, Atlanta; the Contemporary Arts Museum, Houston among other institutions.
She has received awards from the Pollock-Krasner Foundation, the New York Foundation for the Arts, the Mid-Atlantic Arts Foundation, the National Endowment for the Arts, the Guggenheim Museum, the Andy Warhol Foundation, MacDowell Colony, among others.
Learn more on her website by clicking here.
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Ecoart in Action: Activities, Case Studies, and Provocations for Classrooms and Communities
Ecoart in Action was published in 2022 and has now been featured in the e-flux Art&Education database.
The book captures the scope of issues that art and ecology intersects with – the first contribution is on the need for media literacy in relation to environment and politics, and the last is concerned with how to work with grief and climate anxiety.
It has a section of ‘exercises’ – activities designed to be adapted; a section of Case Studies with examples of works that artists have created in places with communities (human and more-than-human) and scientists; and a section of theory which addresses the key pedagogical challenges of bringing together art and ecology. The aim is to enable and empower artists to develop their own approaches by opening up ways a wide range of artists have been working.
The book is much more than a teaching resource – it has contributions from four generations of artists, from the earliest pioneers of art and ecology to emerging practices.
Contributors: Changwoo Ahn, Marcia Annenberg, Lillian Ball, Liza Behrendt, Vaughn Bell, Jackie Brookner, Jenny Brown, Brian Collier, Reiko Goto Collins, Tim Collins, Marlene Creates, Cynthia