Deo gratias jean ockeghem biography

"Deo Gratias" redirects sagacity. For description computer sport, see Dither of Cryo Interactive picture games.

Not relate to be mixed up with Dei Gratia.

Deo gratias (Latin intend "thanks [be] to God") is a response inconvenience the Italic Mass, plagiaristic from say publicly Vulgate text of 1 Corinthians deed 2 Corinthians

Description

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  Considered one of the most influential composers of Renaissance choral music, Ockeghem innovated a style of polyphony that pushed Franco-Flemish vocal counterpoint into lusher and more intricate territory. Historians estimate he was born around and began his known musical career as a singer at the Cathedral of Our Lady in Antwerp before assuming a variety of prestigious posts in churches and royal courts (Charles VII, Louis XI, Charles VIII). Usually scored for three or four voices, Ockeghem’s sacred and secular works often feature lengthy, freely composed melodies—sometimes without pre-existing source material, which was uncommon during his time—and technically challenging features. His works are also notable for integrating active, sometimes subterranean bass lines. While serving in the court of Louis XI, Ockeghem began to compose masses regularly and wrote the first known polyphonic Requiem setting in He sometimes used these more extended works to conduct intricate formal experiments. In his Missa prolationum (from the latter half of the 15th century), florid vocal lines obscure the canon form that runs throughout the piece. Leaving behind a relatively small extant catalogue (roughly 14 masses, 10 motets and 20 chansons), Ockeghem died in , but the ethereality and pre-tonal

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  Johannes Ockeghem

  Franco-Flemish Renaissance composer (c. –)

  Johannes Ockeghem (c.&#; – 6 February ) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—a prominent European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School.

  Ockeghem was well associated with other prominent composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well-known Nymphes des bois for him.

  It is thought that Ockeghem's extant works represent only a small part of his entire oeuvre, including around 14 masses, 20 chansons and fewer than 10 motets—though the exact numbers vary due to attribution uncertainties. His better-known works include the canon-based Missa prolationum; the Missa cuiusvis toni, which can be sung in any mode; the chanson Fors seulement; and the earliest surviving polyphonic Requiem.

  Life

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  Background and early life

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