Chua ek kay biography of donald

  • Chua Ek Kay Biography.
  • Born in China, Chua Ek Kay (1947-2008) studied Chinese ink painting under the late Fang Chan Tien (1907-1987) from 1975 to 1984.
  • I am Chua Ek Kay. Since young, I always have a deep interest in listening to music and reading Chinese literature and poems.

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    Talk:Chua Ek Kay

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  • chua ek kay biography of donald

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    Chua Ek Kay and the Spirit of Singapore's Streets

    Chua Ek Kay and the Spirit of Singapore's Streets By Low Sze Wee First published: The Straits Times, 21 August 2016 Innovation does not arise in a vacuum. Rather, creative ideas or insights are often borne by making connections across unrelated subjects or disciplines. Management consultants like Roger Martin call this integrative thinking - the capacity to consider two opposing ideas at once, and creatively resolve the tension between them to generate a new idea that contains elements of both but is superior to each. This is more difficult than it sounds. As Martin highlighted, "most of us avoid complexity and ambiguity and seek out the comfort of simplicity and clarity… We crave the certainty of choosing between well-defined alternatives and the closure that comes when a decision has been made. For those reasons, we often don't know what to do with fundamentally opposing and seemingly incommensurable models". Such tensions are often felt by individuals in the creative fields. The late Singapore ink painter Chua Ek Kay (1947-2008) once remarked: "For the past few decades, whenever I work on an art piece, tradition and innovation often play alternating or intermingling roles. 1 Sometimes they would

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    你好，I am Chua Ek Kay. Since young, I always have a deep interest in listening to music and reading Chinese literature and poems. I remember that back when I was in Catholic High School, I could recite poems from memory and my teachers would be very proud of me.
    As mentioned earlier in the previous post, I did not come from an affluent family. That was why I only started learning traditional Chinese ink painting when I was 28 years old. My Master was Fan Chang Tien and his valuable lessons have taught me how to fuse poetry with calligraphy in the painting and use "expressive ink", to be expressive in whatever subject matter I choose. I remember that he once said, "There must be rhythm within each stroke and each dot. There must be a graduation of black within black." His teachings are etched in my memory and as you can see from the painting of the bamboos on the left side, the black ink is carefully mixed with water and the colour gradually fades from the bottom to the top of the bamboo. 

    Not long later, I decided to pursue my studies at University of Tasmania to widen my horizon of western concepts in paintings. I was deeply fascinated by the new avenues of thoughts, approaches and techniques that Western art offered and so, I went back to school (LASALLE) in Singa