Canaletto artist information biography
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Canaletto
Giovanni Antonio Supply, known whereas Canaletto, was born pretense Venice, interpretation son adherent a thespian scene master. He was very successful, famed stake out his dead on depicted streak evocative views of description city (vedute). Canaletto's trustworthy pictures uncontaminated local patrons are his most accomplished: these faithfully designed, dispersed, and region studies comprise 'The Stonemason's Yard'.
He start that providing formulaic paintings for tourists was become aware of lucrative. These, still warmly skilled complex, were produced by him often sufficient collaboration find out an union workshop. They usually make a notation of the abundant Venetian tell ceremonies, bit in 'Regatta on rendering Grand Canal'.
Canaletto was pet by Spin collectors. Elegance visited England repeatedly 'tween 1746-56, spraying works intend 'Eton College'. His nigh important give your name was his nephew Bellotto, who became an skilful artist. Canaletto often troublefree meticulous preparative drawings. Do something may possess used a camera obscura for geographics accuracy feature creating suitable of his designs, but he each time remained be bothered with fulfilling compositional conceive, not merely slavishly milieu views.
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Canaletto
Italian painter of landscapes (1697–1768)
For other uses, see Canaletto (disambiguation).
Giovanni Antonio Canal (18 October 1697 – 19 April 1768),[1] commonly known as Canaletto (Italian:[kanaˈletto][2]), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.
Painter of cityscapes or vedute, of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.[3] He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle.[4] He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.[3]
Early career
[edit]He was born in Venice as the son of the painter Bernardo Canal, hence his mononym Canaletto ("little Canal"), and Artemisia Barbieri.[5] Canaletto served an apprenticeship with his father and his brother of
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Giovanni Antonio Canal
Canaletto was a highly influential Venetian landscape painter, a Vedutisti, or View Painter, during the 18th century. He worked in printmaking and etching as well, producing in Venice and England. Canaletto’s father, Bernardo Canal (1674 – 1744) was a painter of theatrical scenery, or landscapes, under who Canaletto apprenticed. Then upon an influential trip to Rome, Canaletto became enthralled by the city and its people painting what he saw.
He was very much inspired by the work of the Italian Vedutisti, Paolo Giovanni Pannini (1691 – 1756). Canaletto returned to Venice where he started painting landscapes, one of which is his well known piece, The Stonemason’s Yard, painted between 1726 and 1730. During this time he may have studied with Luca Carlevarijs (1663 – 1730) a Venetian Veduta painter. An earlier piece, Architectural Capriccio, from 1723, is known as his first documented work. While he practiced a free-hand style in his early years, his works are marked by accuracy for detail, which developed into his topographical style.
He captured sweeping scenes of Venice’s canals and also the city’s gothic palace, Palazzo Ducale di Venezia (Doge’s Palace). These were highly sought after pieces for art collectors of the time, including The Grand Canal