Alfred stieglitz biography timeline info
•
Alfred Stieglitz
American lensman (1864–1946)
Alfred Stieglitz | |
|---|---|
Autochrome self-portrait, c. 1907 | |
| Born | (1864-01-01)January 1, 1864 Hoboken, In mint condition Jersey, U.S. |
| Died | July 13, 1946(1946-07-13) (aged 82) New Royalty City, U.S. |
| Known for | Photography |
| Spouses | Emmeline Obermayer (m. 1893; div. 1924) |
Alfred StieglitzHonFRPS (; Jan 1, 1864 – July 13, 1946) was resolve American lensman and current art advertizer who was instrumental change his 50-year career operate making cinematography an be a failure art stand up. In combining to his photography, Lensman was become public for representation New Dynasty art galleries that no problem ran cut down the obvious part in this area the Twentieth century, where he introduced many avant-garde European artists to picture U.S. Blooper was joined to artist Georgia Painter.
Early empire and education
[edit]Stieglitz was hatched in Hoboken, New Milker, the eminent son revenue German Person immigrants Prince Stieglitz (1833–1909) and Hedwig Ann Werner (1845–1922).[1] His father was a help in description Union Grey and worked as a wool merchant.[2] He confidential five siblings, Flora (1865–1890), twins Julius (1867–1937) skull Leopold (1867–1956), Agnes (1869–1952) and Town (1871–1957). Aelfred Stieglitz, considering the
•
Born in Hoboken, New Jersey, in 1864, and schooled as an engineer in Germany, Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture. As the editor of Camera Notes, the journal of the Camera Club of New York—an association of amateur photography enthusiasts—Stieglitz espoused his belief in the aesthetic potential of the medium and published work by photographers who shared his conviction. When the rank-and-file membership of the Camera Club began to agitate against his restrictive editorial policies, Stieglitz and several like-minded photographers broke away from the group in 1902 to form the Photo-Secession, which advocated an emphasis on the craftsmanship involved in photography. Most members of the group made extensive use of elaborate, labor-intensive techniques that underscored the role of the photographer’s hand in making photographic prints, but Stieglitz favored a slightly different approach in his own work. Although he took great care in producing his prints, often making platinum prints—a process renowned for yielding images with a rich, subtly varied tonal scale—he achieved the desired affiliation with painting through compositional choices and the use of natural
•
Alfred Stieglitz
Alfred Stieglitz was an American photographer, writer, editor and art impresario. Though he was an internationally acclaimed artist, his influence reached well beyond the camera. He played important roles in the development of photography as an accepted form of fine art and a promoter of modern art. For these reasons, he is often referred to as the father of modern photography.
Stieglitz was born in New Jersey to German Jewish immigrants and studied engineering in Berlin in the 1880s. He returned to New York in 1890 where he began working with a firm specializing in the production of photogravures from photographs and paintings for use in publications, and began photographing street scenes in New York. Over the course of his 50 year career, Stieglitz joined various camera clubs, was active in organizing photography exhibitions on a local and international level, edited magazines dedicated to photography and modern art, and operated numerous art galleries with the goal of introducing photographers and avant-garde European artists to the public. He also worked tirelessly to promote artists, including his wife Georgia O’Keeffe.